Category Archives: Press
EXIBART | GIUSEPPE SEDIA
A dynamic and confessional reading… balanced between sacred and profane and the elusive tension between two bodies that does not want to be resolved into a grip.
EXIBART | GIUSEPPE SEDIA
A dynamic and confessional reading… balanced between sacred and profane and the elusive tension between two bodies that does not want to be resolved into a grip.
NOLI ME TANGERE | MARIO ESPOSITO
Don’t touch me. And, on the contrary, touch me. Go through me. Noli me tangere is something affirming its contrary but is not a contradiction. It is able to create a sane and deep coincidentia oppositorum thanks to the poetical artifice of the dance, the alembic movement of bodies.
NOLI ME TANGERE | MARIO ESPOSITO
Don’t touch me. And, on the contrary, touch me. Go through me. Noli me tangere is something affirming its contrary but is not a contradiction. It is able to create a sane and deep coincidentia oppositorum thanks to the poetical artifice of the dance, the alembic movement of bodies.
BERKLEE TODAY MAGAZINE | SUSAN GEDUTIS LINDSAY
Leonard’s prerecorded processed sounds and live saxophone playing accompanied Riccio’s movement and Scalvino’s live video creating an echoing conversation that explored the work’s themes.
BERKLEE TODAY MAGAZINE | SUSAN GEDUTIS LINDSAY
Leonard’s prerecorded processed sounds and live saxophone playing accompanied Riccio’s movement and Scalvino’s live video creating an echoing conversation that explored the work’s themes.
SUPEREVA | ELETTRA CECILIA
In this work it is important that every dancer emerges with his very personal structure, with his human journey, his imagination and his training. In KS uses different styles on a structure of rules and common codes in a set that can be defined as ‘instant composition.
SUPEREVA | ELETTRA CECILIA
In this work it is important that every dancer emerges with his very personal structure, with his human journey, his imagination and his training. In KS uses different styles on a structure of rules and common codes in a set that can be defined as ‘instant composition.
CRONACHE DI NAPOLI | ENRICA DE LEO
Synthesis of its avant-garde research on choreographic composition towards the new possibilities of the language of dance and body. Eight minutes of European reaching.
CRONACHE DI NAPOLI | ENRICA DE LEO
Synthesis of its avant-garde research on choreographic composition towards the new possibilities of the language of dance and body. Eight minutes of European reaching.
L’UNITA’ | PIERLUIGI REZZANO
To dance blindfolded and upset the perception of time and space, reach the essence through the movement of free bodies that escape all superstructure by naturally showing their fragility. Manifesto of simplicity and synthesis expressed from the title, “K.I.S.S. (keep it simple and short)
L’UNITA’ | PIERLUIGI REZZANO
To dance blindfolded and upset the perception of time and space, reach the essence through the movement of free bodies that escape all superstructure by naturally showing their fragility. Manifesto of simplicity and synthesis expressed from the title, “K.I.S.S. (keep it simple and short)
ALBATROS | VERONICA MOLESE
Interpreter of an avant-garde choreographic research path based on the improvisation, Koerpersprache is a research work on the possibilities of the choreographic composition through the translation of the word into body language.
ALBATROS | VERONICA MOLESE
Interpreter of an avant-garde choreographic research path based on the improvisation, Koerpersprache is a research work on the possibilities of the choreographic composition through the translation of the word into body language.
GABRIELLA RICCIO 