Category Archives: Press
SULLA DANZA COME RESISTENZA | ANTONIO GRIECO | RIVISTA KAIAK
Oggi Rivista Kaiak pubblica la recensione di Antonio Grieco al mio lavoro artistico SULLA DANZA COME RESISTENZA.LA RICERCA SULLA DANZA DI GABRIELLA RICCIO COME NECESSARIO GESTO POETICO DI RESISTENZA AL POTERE. Ringrazio entrambi per la cura e l’attenzione alla mia ricerca
SULLA DANZA COME RESISTENZA | ANTONIO GRIECO | RIVISTA KAIAK
Oggi Rivista Kaiak pubblica la recensione di Antonio Grieco al mio lavoro artistico SULLA DANZA COME RESISTENZA.LA RICERCA SULLA DANZA DI GABRIELLA RICCIO COME NECESSARIO GESTO POETICO DI RESISTENZA AL POTERE. Ringrazio entrambi per la cura e l’attenzione alla mia ricerca
NAPOLIMONITOR | ANTONIO GRIECO
NMT is a re-creation of the stage event as Carmelo Bene intended it, an operation of dramaturgical rewriting that proceeds by subtraction, by amputation of the usual representative canons of choreographic art. Ooscillating between instinctive vitality of the bodies and Dionysian expression of contemporary electronic music on the dissolution of the fragile boundary between art and life.
NAPOLIMONITOR | ANTONIO GRIECO
NMT is a re-creation of the stage event as Carmelo Bene intended it, an operation of dramaturgical rewriting that proceeds by subtraction, by amputation of the usual representative canons of choreographic art. Ooscillating between instinctive vitality of the bodies and Dionysian expression of contemporary electronic music on the dissolution of the fragile boundary between art and life.
CAMPANIADANZA | SIMONA PERRELLA
The invitation corresponds to not holding back, not touching and blocking the fluidity of being, in a religious, ethical and human thought. Do not hold back becomes almost an invitation to the desire of the opposite, in a continuous relationship and coincidence of opposites.
CAMPANIADANZA | SIMONA PERRELLA
The invitation corresponds to not holding back, not touching and blocking the fluidity of being, in a religious, ethical and human thought. Do not hold back becomes almost an invitation to the desire of the opposite, in a continuous relationship and coincidence of opposites.
CORRIERE DEL MEZZEZZOGIORNO | STEFANO DE STEFANO
In times of stage writing and new dramaturgy of the body, the proposed experiment represents an intriguing signal launched at current theatrical research roads … more linguistic codes merge: from textual and acted reading to contemporary dance, from electronic music to literature .
CORRIERE DEL MEZZEZZOGIORNO | STEFANO DE STEFANO
In times of stage writing and new dramaturgy of the body, the proposed experiment represents an intriguing signal launched at current theatrical research roads … more linguistic codes merge: from textual and acted reading to contemporary dance, from electronic music to literature .
TUTTODANZA | ELISABETTA TESTA
Brave, vulnerable, risk-lover, Gabriella Riccio, Neapolitan, is a river in full … Sometimes the obstacles develop a creative force, the limitation can become a strength … made with a special software, with a series of sensors that allow you to receive the vibrations of moving bodies and translate them into a sound environment, the musical score is generated by the movement of the dancers.
TUTTODANZA | ELISABETTA TESTA
Brave, vulnerable, risk-lover, Gabriella Riccio, Neapolitan, is a river in full … Sometimes the obstacles develop a creative force, the limitation can become a strength … made with a special software, with a series of sensors that allow you to receive the vibrations of moving bodies and translate them into a sound environment, the musical score is generated by the movement of the dancers.
SPAZI PER LA DANZA CONTEMPORANEA | ADA D’ADAMO – ADRIANA POLLICE
Among the new realities of the Neapolitan scene Gabriella Riccio, choreographer, dancer and director with a classical training behind her before appearing on the European scene, studying with masters such as Kirstie Simson, Frey Faust, Julyen Hamiton, Akira Kasai … to move to Berlin in 2004
SPAZI PER LA DANZA CONTEMPORANEA | ADA D’ADAMO – ADRIANA POLLICE
Among the new realities of the Neapolitan scene Gabriella Riccio, choreographer, dancer and director with a classical training behind her before appearing on the European scene, studying with masters such as Kirstie Simson, Frey Faust, Julyen Hamiton, Akira Kasai … to move to Berlin in 2004
Il ROMA | ELISABETTA TESTA
“Noli me tangere” is a hybrid work, where dance is mixed with philosophical texts, made with a special software, with a series of sensors that allow you to receive the vibrations of moving bodies and translate them into a sound environment, the score musical is generated by the movement of the dancers.
Il ROMA | ELISABETTA TESTA
“Noli me tangere” is a hybrid work, where dance is mixed with philosophical texts, made with a special software, with a series of sensors that allow you to receive the vibrations of moving bodies and translate them into a sound environment, the score musical is generated by the movement of the dancers.
EXIBART | NOEMI PITTALUGA
The Noli Me Tangere theater-dance show mixes and superimposes different devices: lighting and speech … here the quotations become explicit references to the works of Francis Bacon and Bill Viola, … so as to stratify the references and expand the reading plans of the object.
EXIBART | NOEMI PITTALUGA
The Noli Me Tangere theater-dance show mixes and superimposes different devices: lighting and speech … here the quotations become explicit references to the works of Francis Bacon and Bill Viola, … so as to stratify the references and expand the reading plans of the object.
DEUS EX MACHINA LAB | NOEMI PITTALUGA
The scenic space in Noli Me Tangere is a liminal place, a bubble in its own right and timeless. The performers in fact, if before were locked up in the words of books, now slowly come to life discovering the surrounding environment … the show citing the installation Body of light by Bill Viola…
DEUS EX MACHINA LAB | NOEMI PITTALUGA
The scenic space in Noli Me Tangere is a liminal place, a bubble in its own right and timeless. The performers in fact, if before were locked up in the words of books, now slowly come to life discovering the surrounding environment … the show citing the installation Body of light by Bill Viola…
IL ROMA | DOMENICO SODANO
It is said that art is the allowing of all thoughts, convictions and forms of existence. A possible idea that we had the opportunity to perceive by crossing the doors of the “Caosmos” … Contemporanea09 aims at a confident dialogue with an audience able to enjoy and fully enjoy the contemporary cultural product.
IL ROMA | DOMENICO SODANO
It is said that art is the allowing of all thoughts, convictions and forms of existence. A possible idea that we had the opportunity to perceive by crossing the doors of the “Caosmos” … Contemporanea09 aims at a confident dialogue with an audience able to enjoy and fully enjoy the contemporary cultural product.
MIBACT | CULTURA ITALIA
Conceived as a series of seminars-meetings to approach the language of contemporary choreography, new dance and performance, conversations about the new author-choreography aim at a wide audience.
MIBACT | CULTURA ITALIA
Conceived as a series of seminars-meetings to approach the language of contemporary choreography, new dance and performance, conversations about the new author-choreography aim at a wide audience.
CAPITOLO PRIMO | ALESSIA COZZOLINO
Noli Me Tangere – feeling the insensitive and being taken by it: an intriguing and brand new performance for innovative languages. Let yourself be touched and lose yourself in an ending of extraordinary tension
CAPITOLO PRIMO | ALESSIA COZZOLINO
Noli Me Tangere – feeling the insensitive and being taken by it: an intriguing and brand new performance for innovative languages. Let yourself be touched and lose yourself in an ending of extraordinary tension
GABRIELLA RICCIO 