Category Archives: Photos
FOTO DI SCENA | ALESSANDRA FINELLI | LA FOLLIA | PREMIERE TEATRO BELLINI
Stage photos by Alessandra Finelli of La Follia with Gabriella Riccio (body) and Achille Succi (bass clarinet and sax) during absolute première on April 6th at Teatro Piccolo Bellini of Naples theater season 2016
FOTO DI SCENA | ALESSANDRA FINELLI | LA FOLLIA | PREMIERE TEATRO BELLINI
Stage photos by Alessandra Finelli of La Follia with Gabriella Riccio (body) and Achille Succi (bass clarinet and sax) during absolute première on April 6th at Teatro Piccolo Bellini of Naples theater season 2016
FOTO DI SCENA | CLAUDIA NUZZO | MAGNIFICAT PRIMO STUDIO PER UN MONDO MIGLIORE | ASILO
Stage photos by Claudia Nuzzo of Magnificat – primo studio per un mondo migliore at l’Asilo Ex Asilo Filangieri in the framework of the there–days ongoing performances “Il Grande Vento 2015”.
FOTO DI SCENA | CLAUDIA NUZZO | MAGNIFICAT PRIMO STUDIO PER UN MONDO MIGLIORE | ASILO
Stage photos by Claudia Nuzzo of Magnificat – primo studio per un mondo migliore at l’Asilo Ex Asilo Filangieri in the framework of the there–days ongoing performances “Il Grande Vento 2015”.
FOTO DI SCENA | ALESSANDRA FINELLI | NOLI ME TANGERE | ANTEPRIMA | ASILO
NOLI ME TANGERE Stage photos by Alessandra Finelli at L’Asilo during the opening preview of choreographic residency in the framework of the Focus on Dance Sovrapposizioni // Overlap_la danza trova asilo
FOTO DI SCENA | ALESSANDRA FINELLI | NOLI ME TANGERE | ANTEPRIMA | ASILO
NOLI ME TANGERE Stage photos by Alessandra Finelli at L’Asilo during the opening preview of choreographic residency in the framework of the Focus on Dance Sovrapposizioni // Overlap_la danza trova asilo
FOTO | SABRINA MEROLLA | NOLI ME TANGERE | RESIDENZA | ASILO
Those images of Noli me tangere were seized by Sabrina Merolla during our choreographic residency at l’Asilo Ex Asilo Filangieri of Naples in the monumental 16th century Refettorio Hall
FOTO | SABRINA MEROLLA | NOLI ME TANGERE | RESIDENZA | ASILO
Those images of Noli me tangere were seized by Sabrina Merolla during our choreographic residency at l’Asilo Ex Asilo Filangieri of Naples in the monumental 16th century Refettorio Hall
STILLS | OLTRE L’APPARENZA | RESIDENZA RICCIO & FABBRI | ASILO
Stills of the choreographic residence with Gabriella Riccio and Alessandra Fabbri at L’Asilo Ex Asilo Filangieri in Naples for the project “Oltre l’apparenza” 1–10 June 2015
STILLS | OLTRE L’APPARENZA | RESIDENZA RICCIO & FABBRI | ASILO
Stills of the choreographic residence with Gabriella Riccio and Alessandra Fabbri at L’Asilo Ex Asilo Filangieri in Naples for the project “Oltre l’apparenza” 1–10 June 2015
STILLS | OLTRE L’APPARENZA | COACHING LIVE ELECTRONICS | CAOSMOS
vai al progetto || materiali di approfondimento
STILLS | OLTRE L’APPARENZA | COACHING LIVE ELECTRONICS | CAOSMOS
vai al progetto || materiali di approfondimento
FOTO | IACOPO DI GIROLAMO | GUERRILLA REMIXED | NAPOLI TEATRO FESTIVAL
What is the sense of contemporary performance in the urban and social fabric of Naples, by its nature and history among the most performing and performative cities in the world? What sense in the performative appropriation of a territory land of everyone and no one?
FOTO | IACOPO DI GIROLAMO | GUERRILLA REMIXED | NAPOLI TEATRO FESTIVAL
What is the sense of contemporary performance in the urban and social fabric of Naples, by its nature and history among the most performing and performative cities in the world? What sense in the performative appropriation of a territory land of everyone and no one?
FOTO DI SCENA | PIERO CREMONESE | KOERPERSPRACHE | SALA ASSOLI | NTN NAPOLI
ph Piero Cremonese
FOTO DI SCENA | PIERO CREMONESE | KOERPERSPRACHE | SALA ASSOLI | NTN NAPOLI
ph Piero Cremonese
STILLS | WATCH|TOUCH | MAGGIO DEI MONUMENTI 2003 | COLATA AD ARTE
I’m embarrassed. I didn’t know where to put myself. I took a place in front of her. She is on the bench. She begins. I’m used to dance performances… but when she comes so close I was… I’m no longer a spectator… I’m part of the performance.
STILLS | WATCH|TOUCH | MAGGIO DEI MONUMENTI 2003 | COLATA AD ARTE
I’m embarrassed. I didn’t know where to put myself. I took a place in front of her. She is on the bench. She begins. I’m used to dance performances… but when she comes so close I was… I’m no longer a spectator… I’m part of the performance.
GABRIELLA RICCIO 